Facade
Pale concrete, glass and weathered steel establish the visit’s first threshold.
Demo
An example at Parallaxe Art Center demonstrates how content is organized.
Fictional project. The Parallaxe venues, exhibitions, artworks, artists, locations, dates and related documents were created for editorial and application demonstration purposes.
Explore the real screens
Authentic P-Expo screenshots in French. Parallaxe is a built-in fictional example. Empty forms and ready-to-record audio do not demonstrate successful capture or recognition.
Built-in examples enabled; no active visit.
Final visit videos
These two real excerpts show how P-Expo preserves movement and a route through an exhibition. They come from a separate visit and are not part of the fictional Parallaxe exhibition.
2 real excerpts · captioned, described and downloadable
- English — sounds
- English — visual description
Show transcript and description
No speech. Very quiet gallery ambience throughout.
In a dark gallery, a small mechanical structure stands beneath a large image surface; a second surface appears on the right.
The camera moves sideways, revealing the scale and distance between the mechanized leg and the two Cream Cut surfaces.
- English — sounds
- English — visual description
Show transcript and description
No speech. Quiet gallery ambience throughout.
The camera moves through a narrow corridor bordered by grey partitions, under a ceiling light.
It turns around a partition and gradually reveals a bright room with furniture and a reclining costumed figure.
Example — Conditions of Stillness
The route moves from geological weight to suspended structures, unstable images, sound fields and circulating light or water. Each transition reduces visible mass while making time and bodily movement increasingly important.
01Matter and TracesSilent Quarry · Drift Memory
02Structures and ThresholdsFolded Horizon · Threshold
03Water and DurationStone Echo · Silent Current
04Veils and SurfacesMineral Veil · Quiet Horizon
05Light and ResonanceResidual Light · Echo Field
Seven documented spaces
Reception Hall
A bright reception space leads toward the galleries and begins the documented route.
North Gallery
A spacious white room with diffuse light houses the first mineral works.
South Gallery
Its open volumes create a slow rhythm between surfaces and installations.
Immersive Room
A darkened space brings together projection, light phenomena and sound works.
Bookshop
Editions and art books extend the visit through a final moment of consultation.
Garden of Perspectives
Mineral paths and light planting provide a pause between galleries.
Ten artworks
Silent Quarry
Limestone, blackened steel, graphite and quarry dust
Folded Horizon
Anodised aluminium, dry pigment, stainless-steel cable and counterweights
Drift Memory
Silver-gelatin prints, salt, glass, aluminium and programmed light
Threshold
Weathered steel, contact microphones, transducers and four-channel sound
Stone Echo
Basalt, cast bronze, beeswax and felt
Mineral Veil
Handwoven linen, mica, iron oxide, chalk and aluminium mesh
Quiet Horizon
Single-channel 4K video, colour and stereo sound
Residual Light
Salvaged glass, projection, architectural dust, optical filters and timed blackout
Echo Field
Forty-eight ceramic vessels, vibration transducers, multichannel audio and live acoustic processing
Silent Current
Recirculating water, stainless steel, polarising filters, LED light and control system
Photographed label and transcription
Label image preserved in the archive.
Silent Quarry
Maya Henderson · 2024
Limestone, blackened steel, graphite and quarry dust
Cut and fractured limestone rests on a low blackened-steel structure. A graphite line extends the stone’s original geological level across the wall. Variable dimensions.
Application preview
Unidentified test visit with an artwork added without a photo.
Unidentified visit, before adding any artwork.
Built-in fictional Résonances / Parallaxe example.
Final PDF preview
Summary of the fictional visit.