
Facade
Pale concrete, glass and weathered steel establish the visit’s first threshold.
A fictional venue used throughout the P-Expo demonstration.
Fictional project. The Parallaxe venues, exhibitions, artworks, artists, locations, dates and related documents were created for editorial and application demonstration purposes.

The exhibition considers stillness as an active condition. It examines how extraction, balance, memory, resonance and circulation become perceptible through materials whose changes unfold slowly or remain close to the threshold of awareness.

Pale concrete, glass and weathered steel establish the visit’s first threshold.

A bright reception space leads toward the galleries and begins the documented route.

A spacious white room with diffuse light houses the first mineral works.

Its open volumes create a slow rhythm between surfaces and installations.

A darkened space brings together projection, light phenomena and sound works.

Editions and art books extend the visit through a final moment of consultation.

Mineral paths and light planting provide a pause between galleries.

Limestone, blackened steel, graphite and quarry dust

Anodised aluminium, dry pigment, stainless-steel cable and counterweights

Silver-gelatin prints, salt, glass, aluminium and programmed light

Weathered steel, contact microphones, transducers and four-channel sound

Basalt, cast bronze, beeswax and felt

Handwoven linen, mica, iron oxide, chalk and aluminium mesh

Single-channel 4K video, colour and stereo sound

Salvaged glass, projection, architectural dust, optical filters and timed blackout

Forty-eight ceramic vessels, vibration transducers, multichannel audio and live acoustic processing

Recirculating water, stainless steel, polarising filters, LED light and control system
Pale concrete, glass and weathered steel establish the visit’s first threshold.
A bright reception space leads toward the galleries and begins the documented route.
A spacious white room with diffuse light houses the first mineral works.
Its open volumes create a slow rhythm between surfaces and installations.
A darkened space brings together projection, light phenomena and sound works.